With dining table Sedona, the language of organic abstraction takes center stage. Its freeform top is suggestive of a smooth river stone shaped into form from volcanic lava, resisting the logic of rigid geometry in favor of the sensual and the tactile. The legs, each uniquely contoured, recall forms found in nature rather than industry. Their substantiality and asymmetry give the table a totemic presence, creating stability without monotony. This lack of uniformity, both in top and support, compels the user to engage with the table as a sculptural entity, reintroducing a sense of ceremony to the act of dining or gathering. Crafted from black-stained ash wood, the  surface is finely sanded, deepening the material’s grain and enhancing its connection to the elements.

This dining table transcends typology. It is furniture as sculpture, positioned as a spatial anchor and a philosophical gesture within the domestic landscape.