Rhea presents itself as a fusion of organic sensuality and rigorous materiality. Its sinuous, torque-like form evokes the erosive gestures of wind or water upon stone, while the medium anchors it in a tradition of permanence and gravitas. The surface, subtly pitted and irregular, recalls the tactility of hand-worked metal.
It is at once a pedestal and a landscape, a vessel for objects and an object of contemplation.