Its form, three irregular, organic planes stacked in an off-axis rotation, evokes geological strata or the sedimentary drift of tectonic plates, reimagined in precious metal. The hammered brass surface, with its dappled, light-catching texture, channels a lineage of artisanal metalwork.
This object resists the polite symmetry of conventional table design, favouring instead a visual instability that invites the viewer to walk around it, to read it as a shifting composition rather than a static form. The asymmetry stages a tension between balance and precariousness, referencing modernist sculptural experiments in mass and cantilever and grounding them in a language of opulence and craft.
It conjures associations with ritual, wealth, and the aura of archeological finds. In a domestic setting, it operates as both conversation piece and anchor, asserting its presence as a sculptural totem.
